A term coined by me in my PhD dissertation, “Clement Space” denotes a mental and physical ‘space’ for sensory equilibrium, an oasis in the midst of raging, parched desert sands. Like empathy, Clement Space is not some beauteous space that comes from a wave of the magician’s wand. It needs to be designed, crafted and maintained. Calm and serenity actually require a great deal of active energy in order to create and achieve. It also needs guarding against antagonistic elements from within and without, i.e. from inside our own tempests as well as from people (other) who may encroach upon our carefully built peace, whether intentionally or not. Unlike teacakes on a platter in a fancy restaurant, Clement Space isn’t at all about waiting passively for others to provide, but an action – sometimes even quite vigorous – towards that much-needed state of rest and restoration.
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Something About Home
Promenade Theatre Performance: Something About Home,
conceptualised & directed by Peter Sau, in collaboration with 6 pan-disabled artists,
commissioned by the National Gallery Singapore.
“Something About Home“, a commission by the National Gallery Singapore as part of the Light to Night Festival 2020, features members of the Disabled Artists’ Collective in a groundbreaking professional performance by a cast of artists with different disabilities. Directed and conceptualised by theatre maestro, Peter Sau, “Something About Home” vehemently rejects the common exploitation of the disability narrative, pushes past the current trend of trite and contrived tokenism, and – in a determined collective effort – sets the bar higher for professionalism in the local Arts & Disability arena.
Continue readingClement Space – a new iteration.
I am excited to announce my commission by the National Gallery Singapore, to install a new iteration of Clement Space. Opening on 11 January 2020 as part of the larger Light to Night Festival, my installation will run on until 1 March 2020.
by Dawn-joy Leong
The city is filled with constant noise, crowds, smells and bright lights. Everyone is affected in some way by the cacophony, and stress levels rise with each shove, push and crunch. For the autistic person with hypersensitivity, the city can be a merciless and savage force against mental and physical well-being. There is an increasing awareness of access to inclusion for Autistic people in public spaces and growing in popularity is the ‘calm room’. However, these are usually designed by non-autistic persons based on medical models and there is little to no detailed consultation with actual autistic end-users.
Instead of the clinically prescriptive, therapy-focused ‘calm room’, Clement Space is an immersive experience offering intimate reflections from the rich tapestry of the artist’s own autistic senses, welcoming all into a personal sensory wonderland where curious engagement, safe respite and peaceful restoration co-exist in delicate, tranquil balance. Clement Space is a concept and term coined by the artist in her 2016 PhD dissertation, inspired by her psychiatric assistance dog, Lucy Like-a-Charm, a rescued former racing Greyhound from Australia.
Children’s Biennale @ National Gallery
I was invited to the Opening of the Children’s Biennale at the National Gallery today. My anxious mind of course required a two-day preparation for this, but I had been looking forward to it since the invitation arrived in my email’s Inbox. The build up was, of course, a gradual crescendo at first, and then a rapid stretto build up as the event drew nigh. Anxiety + hypersenses + attention to detail all jumbled together. Creating order from chaos is part of the reason behind all the careful planning that precedes every single occasion.
The National Gallery has now become my favourite art space in Singapore. I love old historical buildings, and this one is a grand one. There are many small little quiet nooks dotted around the huge expanse that one can duck into for some respite, if things get too overwhelming. There are some inaccessible spaces that wheelchair users would be unable to reach, unfortunately, due to the nature of the building, but they’ve done their best to make the exhibits as accessible as possible. I am truly bowled over by the National Gallery’s efforts towards access and inclusion, something I’ve not experienced to this extent in Singapore before. Lucy is welcome in this space, and they treated us like royalty the first time we came (which was a tad over the top, but I deeply appreciate the care they took of us, a stark contrast to always being stopped at the door with many a gruff, “NO DOG ALLOWED!”), but I left Lucy at home today because she wasn’t feeling very well.
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Dawn-joy Leong 