Acknowledgements

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Sonorous Repose – Lucy Like-a-Charm 2015 by Dawn-joy Leong     (please do not reuse without seeking prior permission)

Dear Friends and Supporters,

We have made it! The PhD has passed muster and now it’s time for acknowledgements.

 —-

Scheherazade’s Sea – autism, parallel embodiment and elemental empathy.

 Dawn-joy Sau Mun Leong, UNSW Art & Design, April 2016

Dedication:

To my father, Dr. Leong Vie-Ying (1930-2007).

Acknowledgements:

This work would not have been possible without the following:

Deepest gratitude to my supervisors,

Professor Jill Bennett and Dr. Petra Gemeinboeck,

for your patience, guidance, advice, support, and for believing.

Thank you, Dr. Sally Clark, for your advice, encouragement and support.

My Lucy Like-a-Charm

My family:

Thank you, mother, Molly Chye Gek Ong, for your care and fortification.

My beloved baby-sister and faithful champion, Althea Leong,

thank you for always being here, there, and everywhere for me.

Dear brother-in-law, Robin Sing,

thank you for your patience, sustenance and unquestioning support.

My canine nephews, Bizcuit and Tiny Sing

Thank you, my friends who have played important roles in my journey:

Yee Sang, Ho

Rick Feedtime

Minh Vuong

Kateryna Fury

Colin G. Marshall and Misty Marshall

Shan Patterson and Sally Patterson

C.J. Wan Ling, Wee

Margie Anne Edmonds

Brad Beadel

Gavin Koh

Boon Ling, Yee

Shane Fenton

Andrea Kingan

Rosemary Wilkinson

and

Everyone who has walked a part of our journey alongside us, however briefly, every single moment has mattered.

gobbledy-goop

Worded musings on wordlessness and the power of sensorial empathic resonance…

bunnyhopscotch

20160609goop goop

This is porridge. It is goop. You do not chew on goop. It is sluggish, it does not flow, it is not pretty, the sound it makes is murky. Goop does not sing in clear mellifluous tones. Goop just flops and blobs and generally obstructs refinement.

I have been living in a state of goop lately. Despite the unwelcome sensory atmosphere, or perhaps even spurred on by the discomfort and often sheer agony, I have been ruminating… and chewing… and gnawing… there has even been a goodly gnashing of teeth… over the colossal conundrum of EMPATHIC RESONANCE.

Let me try to put this mammoth in two simple, broad categories.

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The Big Anxiety Project

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The Big Anxiety Project

The BIG Anxiety Project is an innovative citizen science venture developing creative approaches to health research and data visualization.”

Lucy and I are honoured to be a small part of this amazing project, which kicks-off on 5 June 2016, at the Museum of Contemporary Art, 3-6pm, level 6, with this interactive talk-cum-discussion session.

Friends in Sydney, if you will brave the weekend’s wet and wild weather, please do join us at this interactive event.

If you are not in Sydney or unable to attend the above event, please take part in the Big Anxiety Project’s survey on anxiety at the Black Dog Institute: click here!

Sonata in Z

Dawn-joy Leong and Lucy present

Sonata in Z

10-14 November 2015 | 10am-5pm

Nick Waterlow Gallery, UNSW Galleries

UNSW Art & Design, Paddington, Sydney, NSW, Australia.

An autistic human,
A greyhound dog.
Parallel Embodiments,
A journey of Being.
Endeavour of empathy,
Spaces of mind.
Sonorous communion,
Wordless interlocutions.
Enter barefoot
Scheherazade’s Sea:
DancingAwake
Inside dreams.

Sonata in Z is a ‘gentle space’, inspired by my autistic hyper sensory quest for sanctuary, and my Greyhound Lucy’s natural ability to seek out and create oases of comfort. Unfolding like a musical sonata, visual images of Lucy in sonorous repose introduce the theme of rest. Please leave your shoes at the threshold as you enter, symbolically shedding conventional notions of social communication. Once inside, we shall not speak in words, but the tranquility is neither silent nor empty, because our senses will lead the way into a different social ecosystem of softly undulating rhythms, patterns, sounds, movements, gestures, textures, smells, tastes and visual conversations. This is our refuge, an alternative empathic resonance, a nonverbal sensory equilibrium – and Lucy and I would like to share our clement space with you.

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Limited edition photograph posters available for order. Professionally printed on fome-cor or gatorboard. For information on size, print and price details, please contact Dawn-joy at scheherazadessea@gmail.com Continue reading

Autism and me: a lifelong quest for Beingness and Clemency of Being

Autism and me: a lifelong quest for Beingness and clemency of Being.

Guest lecture, 27 August 2015, School of Education, UNSW, Australia.

Thank you, Dr. Iva Strnadova, for inviting me to deliver this guest lecture since 2012. It has become an annual event I look forward to greatly.

I promised Iva I’ll tell as many personal stories as possible within the time limit, and so I shall. But before I launch into the dramatics, I’d like to begin with some basic terminology.

When I first began on my research journey, I adopted the prevalent deficits-focused, pathological perspectives and terminologies, because that was all I knew at the time. However, I henceforth prefer to use the term “Autism Spectrum Condition” instead of “disorder,” because this better describes the neurological culture that autism actually is. I also no longer use functioning labels – “high” or “low” functioning – as they are not only insulting to autistic persons, but more importantly they are based on a system of measurements that does not properly respect the innate autistic functional modalities and paradigms.

Now for my fabulous stories. Continue reading

Scheherazade’s Sea – autistic parallel embodiment and elemental empathy

Paper presented at UNSW Art & Design Postgraduate Conference, 17-19 June 2015.

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My Ph.D dissertation, tentatively entitled, Scheherazade’s Sea – autistic parallel embodiment and elemental empathy, is part of a protracted journey in search for Being: a detailed study of Self and Other, and examination of multidimensional interstices of dynamic, interactive reciprocities.

This research and practice rests upon three fundamental concepts:

  1. Parallel Embodiment,
  2. Endeavour of Empathy, and
  3. Space of Mind, from which emanates Elemental Empathy.

The theoretical foundation for this work is constructed from documented studies in neuroscience, anthropology, the arts and humanities, and personal anecdotal evidence from autistic individuals. At the same time, my artistic practice acts as concretising agency by creating experimental ‘sharable’ spaces that serve not merely to display autism but to invite dynamic, personified communion; connecting individuals across neuro-functional divides. Continue reading